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<channel>
	<title>leacetera</title>
	<link>https://leacetera.com</link>
	<description>leacetera</description>
	<pubDate>Fri, 03 Feb 2023 22:21:49 +0000</pubDate>
	<generator>https://leacetera.com</generator>
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	<item>
		<title>Chassis</title>
				
		<link>https://leacetera.com/Chassis</link>

		<pubDate>Fri, 03 Feb 2023 22:21:49 +0000</pubDate>

		<dc:creator>leacetera</dc:creator>

		<guid isPermaLink="true">https://leacetera.com/Chassis</guid>

		<description>
Chassis, 2022Solo Show, Phillida Reid, London, UK



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 Chassis is a term used to describe the body or base frame of a machine or car, the underlying structural strength of a machine. It is also commonly used as a term for the body of a woman, often in an objectifying manner.
Consisting of new and existing sculptural works incorporating found footage, kinetic machinery, steel cages and obsolete cables, Chassis stirs up a vortex of overlapping concerns: the dissection and manipulation of human and animal bodies; the distance between resistance and complicity; the consumption of images under capitalism; escape routes; and rainbow lobsters.
Chassis, 2022 the eponymous kinetic sculpture in this show was also featured in 52 Artists: A Feminist Milestone at The Aldrich Contemporary Museum of Art, Ridgefield, CT June 6 - January 8, 2023&#38;nbsp;</description>
		
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		<title>Seafood</title>
				
		<link>https://leacetera.com/Seafood</link>

		<pubDate>Thu, 27 May 2021 02:48:47 +0000</pubDate>

		<dc:creator>leacetera</dc:creator>

		<guid isPermaLink="true">https://leacetera.com/Seafood</guid>

		<description>Seafood, 2019Painted and nickel plated steel, wood, formica, ceramic, resin, acrylic, recycled HDPE and LDPE plastic bags&#38;nbsp;
Liste Art Fair, Basel, Switzerland


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Part of a series of works centered on consumption and waste, Seafood, 2019 is a caged screen that depicts found YouTube videos of marine life in the midst of being caught, processed, packaged and gutted alive for human consumption. For the artist, the fish signifies the ego/identity, found helpless in a larger system that prepares it for consumption. Themes of desire, discovery, entrapment, ownership, consumption, and guilt feed into the paradox and double standard of the female experience and cycle of capitalist desire that are explored within these sculptures. Stovetop, 2019, is an enlarged stovetop grill that has been nickel-plated to elevate the functional everyday object into fetish object.</description>
		
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	<item>
		<title>Expanding Brain</title>
				
		<link>https://leacetera.com/Expanding-Brain</link>

		<pubDate>Thu, 27 May 2021 02:49:29 +0000</pubDate>

		<dc:creator>leacetera</dc:creator>

		<guid isPermaLink="true">https://leacetera.com/Expanding-Brain</guid>

		<description>
Expanding Brain, 2018
Painted steel, plywood, formica, acrylic, glazed ceramic, resin, hardware
Solo Show, Southard Reid, London, UK

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Titled for a meme made by the artist which anchored the exhibition, this show was a suite of discrete minimal sculptures which interrogated the self and expressed the pressures of conformity and categorization within the art world. In Artist Interview, 2018, exploring self and artistic identity, Cetera presents a confessional style artist interview taking equal inspiration from a recent BBC interview of a female assassin hired by President Duterte of the Philippines, and the 1981 film My Dinner with Andre, by Louis Malle. The subject, an autobiographical, yet fictional version of Cetera, physical and vocal characteristics obscured as if protecting her identity from the viewer, appears in a subtitled, single shot Q&#38;amp;A. &#38;nbsp;The artist responds and reflects on her position towards and within an environment where artists, specifically of colour, are expected to perform their identity, race and gender, finding themselves in trap-like predicaments regarding content. The conversation ebbs and flows between a stream of consciousness monologue and a boilerplate questionnaire to which artists are expected to conform.
</description>
		
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	<item>
		<title>Chair Totem Pole</title>
				
		<link>https://leacetera.com/Chair-Totem-Pole</link>

		<pubDate>Thu, 27 May 2021 02:51:16 +0000</pubDate>

		<dc:creator>leacetera</dc:creator>

		<guid isPermaLink="true">https://leacetera.com/Chair-Totem-Pole</guid>

		<description>
Chair Totem Pole, 2017
Painted steel, hardware, concrete
6’ x 6’ x 15’The Lighthouse Works Public Art Commission

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Inspired by Augusto Boal’s acting exercise The Chair of Power, which addresses the invention and reconfiguration of space and the spatial structures of power, Chair Totem Pole is a monument to the ordinary and everyday object/props that make up the mise-en-scene that is our daily life. The inspiration of Boal’s acting exercise is a monument to the ability that we have the power and agency to create and recreate our realities as we see fit. We do have the agency to change the status quo. Reality is constantly in flux and the potential of “rearranging” these chairs could easily shift the seat of power.
</description>
		
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	<item>
		<title>Threshold</title>
				
		<link>https://leacetera.com/Threshold</link>

		<pubDate>Thu, 27 May 2021 02:50:08 +0000</pubDate>

		<dc:creator>leacetera</dc:creator>

		<guid isPermaLink="true">https://leacetera.com/Threshold</guid>

		<description>
Threshold, &#38;nbsp;2017Painted steel, acrylic, resin, plastic, glass, stone, concrete
2-channel HD video installation&#38;nbsp;
Frieze New York, Randalls Island, NY

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Within a multimedia installation, six characters projected on the walls of &#38;nbsp;a sculptural installation debate what art should be in a critique-like discussion, addressing the artist’s work before them.

</description>
		
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	<item>
		<title>Design Within Reach</title>
				
		<link>https://leacetera.com/Design-Within-Reach</link>

		<pubDate>Thu, 27 May 2021 02:50:35 +0000</pubDate>

		<dc:creator>leacetera</dc:creator>

		<guid isPermaLink="true">https://leacetera.com/Design-Within-Reach</guid>

		<description>
Design Within Reach, 2016-2017
Painted steel, aqua-resin, hardware, concrete
Socrates Sculpture Park / Emerging Artist Fellowship

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Reinterpreting signature designer chairs by Marcel Breuer, Mies van Der Rohe and Le Corbusier, the artist has translated the designs of the classic modern Breuer Chair, Barcelona Chair and Petite Modele Chair into rugged painted steel public benches made accessible for public enjoyment.
</description>
		
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	<item>
		<title>Transference</title>
				
		<link>https://leacetera.com/Transference</link>

		<pubDate>Sun, 06 Jun 2021 22:46:55 +0000</pubDate>

		<dc:creator>leacetera</dc:creator>

		<guid isPermaLink="true">https://leacetera.com/Transference</guid>

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Transference, 2015Solo Show, Southard Reid, London, UKLive performance during opening, a docent tour of the objects.




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Transference examined public vs. private, and the artist took the audience on a docent tour of her works dressed as a house cat. In Mirrored Gourd Triptych, 2015 a mirrored gourd “watches” 3 screens of found YouTube videos of animals in various stages of anthropomorphized activities; sleeping, dancing, bathing, talking, and mirror recognition.
</description>
		
	</item>
		
		
	<item>
		<title>Sprawl</title>
				
		<link>https://leacetera.com/Sprawl</link>

		<pubDate>Thu, 23 Sep 2021 18:34:20 +0000</pubDate>

		<dc:creator>leacetera</dc:creator>

		<guid isPermaLink="true">https://leacetera.com/Sprawl</guid>

		<description>
Sprawl, 2015HD Video projections on installation with live performanceNew Commissions Grant, Art in General, New York, NY



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&#60;img width="834" height="1250" width_o="834" height_o="1250" data-src="https://freight.cargo.site/t/original/i/ae7511e3e70d853933e505fee62af0c5c1132518e7f6ed4c8b8826f18a85cd78/lea_sculpts_-117-copy.jpg" data-mid="133364347" border="0"  src="https://freight.cargo.site/w/834/i/ae7511e3e70d853933e505fee62af0c5c1132518e7f6ed4c8b8826f18a85cd78/lea_sculpts_-117-copy.jpg" /&#62;
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Three indistinguishable women lounge around on minimalist steel modern furniture and watch videos/live surveillance projections of the audience that watches them through the store front windows of Art in General. On occasion the performers “look” out at the audience with non-seeing painted-on anime eyes.</description>
		
	</item>
		
		
	<item>
		<title>Outer Body Experience (OBE)</title>
				
		<link>https://leacetera.com/Outer-Body-Experience-OBE</link>

		<pubDate>Sun, 13 Feb 2022 19:38:40 +0000</pubDate>

		<dc:creator>leacetera</dc:creator>

		<guid isPermaLink="true">https://leacetera.com/Outer-Body-Experience-OBE</guid>

		<description>
OBE (Outer Body Experience), 2014

HD Projection, table, sheet, pedestal, laptop, candles, Live Performance. Approx run time: 9 min.
Oregon Contemporary, Portland, OR



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&#60;img width="1478" height="979" width_o="1478" height_o="979" data-src="https://freight.cargo.site/t/original/i/e0f54b3b3dc2f8b4dfecbe4eed636b08faeee38bda40688352492948bf4529f0/31_dsc7678.jpg" data-mid="133366390" border="0"  src="https://freight.cargo.site/w/1000/i/e0f54b3b3dc2f8b4dfecbe4eed636b08faeee38bda40688352492948bf4529f0/31_dsc7678.jpg" /&#62;
&#60;img width="1478" height="979" width_o="1478" height_o="979" data-src="https://freight.cargo.site/t/original/i/3b3dbf61270a72df64f8ae7d66888e61bf8c18b7d04419dc779c95c67269a084/Cetera_OBE1.jpg" data-mid="133366396" border="0"  src="https://freight.cargo.site/w/1000/i/3b3dbf61270a72df64f8ae7d66888e61bf8c18b7d04419dc779c95c67269a084/Cetera_OBE1.jpg" /&#62;
&#60;img width="1478" height="979" width_o="1478" height_o="979" data-src="https://freight.cargo.site/t/original/i/62c1093547d59423e7f1e6af55a9d70a68b11e728336da288b8070f5295734f9/31_dsc7695.jpg" data-mid="133366393" border="0"  src="https://freight.cargo.site/w/1000/i/62c1093547d59423e7f1e6af55a9d70a68b11e728336da288b8070f5295734f9/31_dsc7695.jpg" /&#62;
&#60;img width="1478" height="979" width_o="1478" height_o="979" data-src="https://freight.cargo.site/t/original/i/1457013946e169d02a7cf0c7a45d2c8fa8a4fb7ea43501568a25f3c1fc048b05/Cetera_OBE.jpg" data-mid="133366394" border="0"  src="https://freight.cargo.site/w/1000/i/1457013946e169d02a7cf0c7a45d2c8fa8a4fb7ea43501568a25f3c1fc048b05/Cetera_OBE.jpg" /&#62;
&#60;img width="1478" height="979" width_o="1478" height_o="979" data-src="https://freight.cargo.site/t/original/i/778859b23e2178792148bb8cebb9e3d66c6d4f53035e3cca61df51c8177d2f89/31_dsc7691.jpg" data-mid="133366391" border="0"  src="https://freight.cargo.site/w/1000/i/778859b23e2178792148bb8cebb9e3d66c6d4f53035e3cca61df51c8177d2f89/31_dsc7691.jpg" /&#62;
&#60;img width="1478" height="979" width_o="1478" height_o="979" data-src="https://freight.cargo.site/t/original/i/1eab3b9becd04d460d6bbe073aa5ac02cc62c5495c714f64bb4dbe67cda3640b/31_dsc7692.jpg" data-mid="133366392" border="0"  src="https://freight.cargo.site/w/1000/i/1eab3b9becd04d460d6bbe073aa5ac02cc62c5495c714f64bb4dbe67cda3640b/31_dsc7692.jpg" /&#62;
The artist performs a meta-lecture as a charismatic self-help motivational speaker. They address audience, the experiential passage of time, the quantification and control of labor and time as a result of capitalism, astral projection and the conspiracy theory surrounding devil worship in the American entertainment industry. An astral “projection” of the artist performs the lecture, while they lay on a table, covered with a sheet.
</description>
		
	</item>
		
		
	<item>
		<title>Observational Comedy</title>
				
		<link>https://leacetera.com/Observational-Comedy</link>

		<pubDate>Sun, 13 Feb 2022 20:37:37 +0000</pubDate>

		<dc:creator>leacetera</dc:creator>

		<guid isPermaLink="true">https://leacetera.com/Observational-Comedy</guid>

		<description>Observational Comedy, 2014HD video projections on installation, dimensions vary
Materials: Painted steel, glazed ceramic, bronze, plywood, formica, stone, glass, resinSolo Show, Southard Reid, London, UK


&#60;img width="3691" height="2953" width_o="3691" height_o="2953" data-src="https://freight.cargo.site/t/original/i/76eaf030579327e71ce797006ba9732175de781014fff6615fd9dcb27fe0d567/CETERA.Lea.May2014-6.jpg" data-mid="133379849" border="0"  src="https://freight.cargo.site/w/1000/i/76eaf030579327e71ce797006ba9732175de781014fff6615fd9dcb27fe0d567/CETERA.Lea.May2014-6.jpg" /&#62;
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&#60;img width="4190" height="2953" width_o="4190" height_o="2953" data-src="https://freight.cargo.site/t/original/i/45dacce3a2e3add93ee9b729bb9d55694e18b12225059a7282529afa8111a5fc/CETERA.Lea.May2014-1.jpg" data-mid="133379842" border="0"  src="https://freight.cargo.site/w/1000/i/45dacce3a2e3add93ee9b729bb9d55694e18b12225059a7282529afa8111a5fc/CETERA.Lea.May2014-1.jpg" /&#62;
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&#60;img width="4430" height="2953" width_o="4430" height_o="2953" data-src="https://freight.cargo.site/t/original/i/3ed5c639a1cd28a75302eff3bf7a4c31da6e24e7541efa25fc76a7fecc026345/CETERA.Lea.May2014-4.jpg" data-mid="133379846" border="0"  src="https://freight.cargo.site/w/1000/i/3ed5c639a1cd28a75302eff3bf7a4c31da6e24e7541efa25fc76a7fecc026345/CETERA.Lea.May2014-4.jpg" /&#62;
The masking and shifting of subjectivity and content happen in Observational Comedy, the players roles shift from viewing, to talking about, to performing alongside and even installing the artworks themselves which reflect states of leisure and labor, revealing not only the artifice of display but also the possible states and psychological shifts that can occur around the life-span of these objects. A two-story video installation that took over both floors of the gallery.

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